告死天使招魂令 Death Angel Requiem

[h1] 「♥告死天使招魂令 Death Angel Requiem♥」 [/h1] [h2] 「♥游戏介绍♥」 [/h2] [h2] 没想到国产恐解RPG的回旋镖扎回到了自己身上[/h2] 告死天使招魂令 Death Angel Requiem是一款国产的恐解RPG游戏，游戏中玩家将操控主角五十岚和霜叶一起调查发生在明成大学发生的诡异杀人案，四名死者的离奇死亡，还有曾经已故死者的生辰八字，以及潜伏在这所学院中的凶手，还有作者夹带的私货。构成了一部并不是那么恐怖的恐解RPG游戏。游戏着重在剧情上，如果你是一名新来的玩家，可以直接体验故事原汁原味的剧情，体验剧情作恐解的魅力（大概），如果你曾经也是一名恐解RPG玩家，请欣赏一部由游戏构成的日记。 [h2] 「♥游戏内容♥」 [/h2] [h2] 依旧霸之意志 [/h2] 游戏的剧情我大致先讲个开头，后面的内容主要是我想对作者说的话。（如果你看的话）毕竟剧情作剧透太多不好。游戏的故事发生在名叫明成大学的地方，这里发生了诡异的杀人案，四名学生离奇死亡，而这座学校的学生都在传言是幽灵作案，什么十年前的天神小学啊，哦不对，在国内，所以这个是希望小学。女主五十岚和她的搭档蓝毛兔耳娘霜叶一起来到这里当大侦探破案来了，虽然我不知道为什么不给她俩配个警察保镖之类的，但是两个女侦探就这么进入到了凶手还在自由活动的学校里面了。 游戏的玩法则是标准的线性解谜，额，不如说基本上都不用你怎么动脑子思考，让你去哪就去哪就完了，不过游戏的指引做的相当的，不能说是没有吧，只能说是有没了，前期还好，到了中期左右，有些剧情的触发点非常诡异，我走来走去到实验室那边才告诉我应该去哪里，非常诡异。如果你是一个老日恐RPG玩家的话，一定都有着像我一样的草墙糕手的称号，不管有没有发光，都要点一点，标准操作，沿着墙壁把房间舔一圈。 如果你这么做了，那么恭喜你，你将在三个节点获得一些好处，比如在床铺捡到5块钱啊，没仔细看对话不知道去哪拿道具啊，某些隐藏成就啊。当然，如果你不这么做，也是能够通关的。线性剧情嘛。后期二人分头行动的时候，还有一些对话没有修改，有点出戏，比如天台看栏杆那一块。对于游戏的剧情来讲，新玩家和老登可能会有不同的看法，从我的视角是真的带入到了对寒十老师的恶意中的。如果你是个新玩家的话就享受剧情就好。 接下来就是我想对作者说的话了，我的评测可能对于其他的鉴赏家来说稍微有点不同，我从以前就是一个非常喜欢日式恐解RPG的玩家，在告死天使的那时候我也在玩一些国产的恐解RPG，像是羽翼的祈愿还有之后的喵可莉，但是国产恐解带给我的感觉是远不如日恐带劲的，虽然那个时候的日恐环境也不咋地，告死天使我也玩了，评价其实在我这也是一般般，但是网上还挺火的，后来作者出了那些被网暴的事之后，我也没什么话说，毕竟我就是玩游戏的。 我在看到告死天使出新作的时候，其实本能上还是抗拒的，但是还是抱着试试看的心态去玩通关了，你确实不出意料，在游戏中加入了大量的私货，我之后还去搜了一下B站，哈哈，我自己都没想到，我当年没有取关，发现你真的改名叫五十岚了，开始当国V了，这么多年我其实对于国产恐解已经有些淡淡的感觉了。也不知道说什么好，我当年没有参与对你的网暴，而是选择了旁观，因为我的立场很明确，你在游戏里面的某个NPC对话也写了，我玩的是游戏，并不是关注作者这个人。总之，恭喜重生，希望你能有新的开始。也希望下一步作品少塞点私货，让我能看到更好的剧情作品。 [h2] 「♥总结♥」 [/h2] 告死天使招魂令是一款不那么标准的日式恐解RPG，因为他并不恐怖，你要说那四个尸体图片能给你吓着的话。。。。我也没话说，反而更像是一部剧情为主的RPG游戏，总之，霸之意志这一块，还是那么权威。 [table][td]欢迎关注鉴赏家[url= https://store.steampowered.com/curator/45519015/]“无趣评测”[/url][/td][/table]

Death Angel Requiem is a psychological horror adventure that blends supernatural mystery, criminal investigation, and emotional storytelling into a compact narrative experience. Developed and published by 五十岚夜莺, the game serves as the concluding installment of the Death Angel series, bringing its unsettling themes and interconnected events toward a final resolution. Rather than relying on relentless action or elaborate combat mechanics, it emphasizes exploration, conversations, and the gradual discovery of disturbing truths. Its greatest appeal comes from a mystery that questions the boundary between fictional horror and real human cruelty, creating an atmosphere where obsession and psychological manipulation can be more frightening than supernatural phenomena. The story follows Igarashi, an investigator assigned to examine a series of mysterious murders at a school. Four students have been killed under unusual circumstances, and the disturbing arrangements surrounding their deaths suggest a connection to a ritual inspired by the fictional Death Angel. As the investigation develops, the case becomes increasingly complicated by references to past tragedies, controversial creative works, and individuals whose lives have been influenced by a troubled artistic legacy. What initially appears to be a supernatural mystery gradually raises questions about responsibility, fanaticism, and the consequences of turning fictional beliefs into dangerous actions. This premise gives the narrative considerable psychological depth, particularly through its exploration of how people interpret and misuse stories. One of the more compelling elements involves Han Shi, a once-prominent creator whose reputation collapsed following a public controversy. Her influence continues to linger, shaping the beliefs and motivations of people connected to the murders. This background introduces themes of social condemnation, artistic ownership, and obsessive devotion. The narrative appears particularly interested in examining how creative works can acquire meanings that their original authors never intended. Instead of presenting evil as an unexplained supernatural force, the story considers how personal resentment and distorted admiration can produce equally terrifying consequences. Character relationships provide an important emotional foundation for the investigation. Igarashi's partnership with her younger sister, Shimo, introduces a contrast between the grim subject matter and more approachable interpersonal moments. Their different personalities help balance the atmosphere, preventing the experience from becoming relentlessly oppressive. Their conversations also provide opportunities to develop the mystery naturally, making the characters more than simple instruments for delivering clues. The emotional effectiveness of the adventure depends heavily on whether players become invested in their relationship and the difficult truths they uncover. Gameplay combines traditional two-dimensional exploration with visual novel storytelling and relatively straightforward investigative puzzles. Players examine environments, interact with objects, discover clues, and advance through dialogue-driven sequences. The puzzles are intentionally accessible, with guidance available through the protagonist, making progression less frustrating for those primarily interested in the story. However, this approach may disappoint players expecting complex deduction systems or substantial investigative freedom. The mechanics function mainly as a vehicle for storytelling, and the experience appears more concerned with revealing a carefully constructed mystery than testing advanced problem-solving abilities. The game is designed to be completed in under five hours and features a single ending. This focused structure can benefit the pacing of a psychological thriller, allowing important revelations to arrive without excessive distractions. However, it also limits replayability, part